Look, I am as aware of the vagaries and importances of music history as anyone I know, and I know a lot of music nerds. In fact, I’d go so far as to say the people I know are as aware of both where things are right now in music and of where the stuff of today came from as anyone alive. (I may even have measurable proof of this, but that’s another digression for another time.)
In that light, I could not possibly give less of a shit about the release of Guns & Roses’ Chinese Democracy this week.
I understand it’s been 14 years in the making, and represents the culmination of everything the greatest of the great late-era hair-farmer bands had in them (or at least what Axl Rose had in mind), and the parallels to Smile, the lost Brian Wilson/Beach Boys decades-in-coming apotheosis, are easy and an adequate form of explanation as to what the hell happened.
And okay, let’s start there. The Beach Boys were the greatest chart-topping capital-A American Band of the pre-Woodstock 60’s. (Sure, Buffalo Springfield’s stuff was great, but they weren’t topping the charts with every song they released. Hell, not even Dylan had the Beach Boys’ track record, and the Velvets famously only sold records to other bands. If there’s someone I’m missing, let me know.) You could maybe make the case that Guns & Roses were the best band in their scene, but they didn’t have the consistent chart success of an REM or even Motley Crue, and just because Axl was an erratic space cadet who fought with his bandmates doesn’t make him Brian Wilson.* And I don’t know if anyone really noticed, but when Smile finally came out, it wasn’t exactly the second coming of Pet Sounds. The music was lush and pretty as you’d expect from a master arranger like Wilson, but as a lyricist, Van Dyke Parks was little more than a kiddie version of Bernie Taupin.
I heard a couple of the leaked tracks of Chinese Democracy through the usual nefarious means, and it sounds like the muddled mess I kind of expected. But honestly, if he’d managed to finish it in 1987, I don’t suspect it would have been a whole lot better. And while the world could always — always use more Beach Boys music, now that we have Soundgarden and all their descendants, and Queens Of The Stone Age and all of theirs, there are a hundred bands out there right now who can do what Axl did, and better.
Besides, we need to save Tommy Stinson. I know Tommy needs to get paid, and even a full-blown Replacements reunion wouldn’t make anyone rich, but goddamn, he’d have more integrity playing on a cruise ship.
So in the interest of the glorious future, I move we just let Guns and Fucking Roses** fade into history, like Oliver North, painter’s pants and the AMC Gremlin, quaint totems of an earlier era that frankly are better off staying there.
*And Brian wasn’t a danger to anyone other than himself. What Axl did (allegedly; thank you, out-of-court settlements and sealed court records!) to the women in his life was really fucked up. To paraphrase Robert Christgau, Sex & Drugs & Rock & Roll doesn’t mean fucking her in the ass after she passes out from the drugs you put in her drink.
** “G’n'F’n'R”? Really? Oh, Axl, how rebellious you are! At least spell your shit out, fergodsake.
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